yomikoma: (povray)
2017-04-17 06:38 pm

I'm yomikoma on dreamwidth.


Future posts will definitely be there. They may or may not be here.
yomikoma: Yomikoma reading (Default)
2017-04-06 08:00 pm

ID for LJ->DW immigrants

I'm yomikoma here. I'm[livejournal.com profile] rikchik at Livejournal.
yomikoma: "Yomikoma" in sitelen sitelen (sitelen tokipona jomikoma)
2016-11-06 04:30 pm

An Appreciation of sitelen sitelen

sitelen sitelen text for 'o pona wawa tawa ante ali. jan pona o awen musi!'sitelen sitelen is a pictorial writing system for the language Toki Pona. It's fantastic ("pona wawa").

Logographic writing systems are difficult to create, simply because of the size of the problem. If each word has an associated image, you need to draw a lot of images. There are various solutions to this, often involving a mix of phonetic and meaningful symbols (Mark Rosenfelder's Yingzi is an excellent introduction to how the most well-known of these works for English-speakers) and often causing a tremendous explosion in images needed. My own Rikchik language moves forward slowly partially because of this issue.

However, the language Toki Pona famously only has 120 words.

The language's creator, Sonja Lang, actually made her own logographic system (known as "sitelen pona", good writing). It's easy to write. Jonathan Gabel made another system (called "sitelen sitelen", picture writing) which is not as easy but is quite attractive.

In sitelen sitelen, each of the words is given a picture - to my eyes, these resemble cartoons or Mayan glyphs - and they are laid out mostly in sequence. Overlap is encouraged, and prepositions are given internal spaces that can be expanded to allow the entire rest of the prepositional phrase to fit inside. Pedestal-like punctuation symbols are provided that the rest of the phrase can sit upon. Colors are not officially provided, I just came up with some on my own.

Toki Pona also allows mention of names and foreign words through transliteration into the (C)V(N) standard used by the "native" words. The sitelen sitelen writing system provides a systematic syllabary (which may count as an alphasyllabary) that encodes any compliant word into a series of symbols. My avatar for this post is "jomikoma" (j is pronounced as y in Toki Pona). The vowels of the syllabary, especially o and a, resemble eyes - adding some more life to the system.

Again, it was fun writing my own postscript code to render the symbols I needed and I'll be on the lookout for more chances to use it.

(I'm leaving my illustrative phrase untranslated in case readers want to puzzle it out.)
yomikoma: (povray)
2015-04-05 08:37 pm
Entry tags:
yomikoma: Yomikoma reading (Default)
2014-10-19 08:43 am
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Comic rec: Runners

In May, I mentioned that I really enjoyed seeing serious species diversity in science fiction.

In September, I was at MICE and saw a comic that so well implemented this I had to buy it immediately. Sean Wang's Runners is about the crew of a merchant spaceship taking on legally questionable jobs, and they're all entirely different species. So far there have been about three human characters in the whole series, one near-human (the kind of thing makeup can simulate), a wide variety of humanoids, and a fair number of totally strange things. Character-wise everyone is very relatable (this is not a series that delves too deeply into nonhuman psychology) and the plot is fun and exciting. Recommended.
yomikoma: "Yomikoma" in Circular Gallifreyan (gallifreyan)
2014-10-18 07:49 am

An Appreciation of Circular Gallifreyan

Loren Sherman's Circular Gallifreyan is a way to write English and other languages using Roman letters, inspired by the Gallifreyan language as depicted in set dressing on the new Doctor Who series.
my full name in Gallifreyan
It's effectively an abjad, with large circles representing consonants and small circles modifying those to follow them with vowels. Consonants are distinguished by their position relative to the word-circle and by how many dots or lines are associated with them, while vowels are based on position on the consonant-circle and direction of an optional line (for U and I).

Wonderfully, aside from a loose direction in some cases there is no constraint on where the lines go, and you're encouraged to find ways to connect one letter to another, even across words. This gives sentences a fantastic interconnected look, making the writing system appear to be much more complicated than it is. (I like imagining that actual Time Lords writing this already know where the other end of the lines are going and can write this in any order.)

This writing system does a great job of simulating the graphics from the show while still fully encoding Roman text, and it's beautiful.

Coming up with my own postscript code to write this has been fun. I'm particularly happy with the inter-word line code, which uses setmatrix to take the current point back into the sentence's reference frame and saves the coordinates in order to connect them all up at the end.

Also, deciphering the short sentence at the top of the Writing Guide was a well-done surprise.
yomikoma: Yomikoma reading (Default)
2014-05-04 01:14 pm

Species diversity in SFF

I really like seeing a range of species in SFF.

The Raksura series by Martha Wells particularly stands out for fantasy. Everyone's basically humanoid but I'm not sure any humans appear. Instead there are characters with horns, spines, scales, a rainbow of skin colors, etc. I feel like this is particularly suited for fantasy since there doesn't need to be a reason that everyone's humanoid and you can avoid language questions.

For science fiction I think that a mixed-species setting should go beyond the Star Trek/Star Wars humanoids, though obviously budget issues come up for live-action media. David Brin's Uplift stories do a pretty good job here, as do Phil Foglio's Buck Godot/Gallimaufry comics.